Category: Visual Effects

Natural growth

Rushes has met a number of complex 3D and compositing challenges in the postproduction for a campaign of six separate Daily Mail commercials.

Scene from for ‘Percy Jackson & the Olympians:The Lightning Thief’ | Image courtesy of 20th Century Fox

Ancient adversaries

MPC Vancouver has provided a range of visual effects and post production work for 160 shots across 9 sequences for ‘Percy Jackson & the Olympians: The Lightning Thief’

Green screens

Brickyard VFX has contributed visual effects to a series of spots for Titleist golf clubs and golf balls, creating animated overlays on footage of courses in St Andrews and Chicago.

American alien

Planet 51 is a retro-styled animated feature movie and game produced in Spain for international release, created by Ilion Animation Studios and Pyro Studios using a pipeline including Autodesk 3ds Max and Maya

Dead Eyed

Digital Domain has continued to hone its Oscar-winning expertise in facial visual effects by giving the eyes of live-action actors a haunting, hyper-photorealistic quality in a TV commercial for Ubisoft’s Assassin’s Creed II

Metamorphic music

Ingenuity Engine’s futuristic music promo for ‘I Can Transform Ya’, features singer Chris Brown, producer Swizz Beatz and rapper Lil Wayne as they deconstruct and shapeshift into sports cars, armoured tanks, helicopters and other...

Cold comfort

Shilo’s latest vfx-heavy brand film for Under Armour, to promote the ColdGear product line, features US ski champ Lindsey Vonn in a snowstorm machine.

Rabbit Williams

Prime Focus has completed the post work on a promo inspired by Alice in Wonderland for Robbie Williams’ latest single, You Know Me

Garbage man

A campaign for the French Environmental Agency (Ademe), features a ‘rubbish’ monster created by MPC, which follows people around as they go about their daily routine.

Small wonder

Bully Pictures director Craig Tanimoto’s spot for Nissin Foods sees him team up with vfx house Zoic Studios to introduce a pint-sized animated guru.

Aerial infection

Prime Focus VFX has created 124 effects shots for the Stephen Sommers film “G.I. JOE: The Rise of Cobra”,  work that entailed building a complex animation pipeline and orchestrating a flying swarm of bioweaponry for an aerial sequence.

Pond life

Hollywood VFX veteran Michael Fink unveils his directing debut for Indian TV – an amphibious Prime Focus commercial for Lotte Coffy Bite toffee.

HTML Snippets Powered By : XYZScripts.com