Rebranding The Imperial War Museum
hat-trick design and branding agency Jane Wentworth Associates have been helping The Imperial War Museum to launch a new brand identity.
Branding / Design / Graphic Design
by The Editor · Published 24 October 2011 · Last modified 1 May 2014
hat-trick design and branding agency Jane Wentworth Associates have been helping The Imperial War Museum to launch a new brand identity.
Branding / Cross-media / Motion Capture / Visual Effects
by The Editor · Published 28 September 2011
Heavenly has brought the BBC Entertainment brand to life through a combination of beautiful and sophisticated visuals, an expressive human element and cutting-edge digital animation techniques.
Animation / Cinematography / Film / Visual Effects
by The Editor · Published 26 September 2011 · Last modified 1 May 2014
Independent Films’ Thierry Poiraud has created a magical spot for Réseau Ferré de France, using clever cinematography, model making and 3D animation
Animation / Virtual Production
by The Editor · Published 23 September 2011 · Last modified 28 April 2017
Digital Domain has created an all-CG spot, ‘Dust to Dust’, for Gears of War 3. The digital production studio in collaboration with twofifteenmccann, Epic Games, and director Adam Berg, put the 60- second spot together using an innovative virtual production technique
Design / Graphic Design / Motion Graphics
by The Editor · Published 21 September 2011 · Last modified 1 May 2014
devilfish has been working overtime since being signed to the BBC’s Branding and Identity roster, including a distinct set of designs for BBC Four and its new ‘Handmade in Britain’ series, as well as for a new Radio 4 dramatisation of Vasily Grossman’s Life and Fate.
Dublin-based post facility Screen Scene has revealed how it graded the first series of HBO’s successful television fantasy drama Game of Thrones
Framestore has created a cute, but not so cuddly CG koala for a Specsavers TV ad.
Fuel VFX delivered 120 shots in six sequences for the latest Marvel blockbuster Captain America: The First Avenger, subjecting the superhero to a battery of elements
The Museum of London, creative agency Brothers And Sisters and AETN UK’s flagship channel History have joined forces to develop a new app which gives users the opportunity to see Roman London as it was 2,000 years ago
Hat-trick Design’s branding talent was called on for a new iPhone and iPad app which brings together recipes and tips from some of the most creative of Britain’s chefs.
Framestore finishes VFX work on Harry Potter and the Deathly Hallows: Part II, marking the end of ten years of helping to bring the world created by JK Rowling to magical life
Brickyard VFX has created a promo for Beyoncé’s new release ‘4’, which presents a hand-painted view of iconic international landmarks.
The Mill’s double-BAFTA winning TV team has created the iconic ticking crocodile for Sky Movies HD’s forthcoming live-action movie epic, Neverland.
X-Men: First Class, the latest in the series of films from Twentieth Century Fox about the mutant superheroes, features a wealth of visual effects, including more than 115 vfx shots by London-based Cinesite
Stereoscopic 3D / Visual Effects
by The Editor · Published 26 May 2011 · Last modified 26 September 2011
Cinesite recreates 18th Century London in 3D for Pirates of the Caribbean: On Stranger Tides, with more than 300 stereoscopic visual effects shots
Branding / Cross-media / Motion Graphics / VFX / Visual Effects
T&F and Valiant splash out for Vilcek Foundation
27 August 2013
Broadcast News / Interactive / Interactive & Web / Scotland / Web & Interactive News
BBC makes multiplatform history
18 January 2010