Tagged: vfx
Neither snow nor fire nor water nor Hydra stays Captain America…
Fuel VFX delivered 120 shots in six sequences for the latest Marvel blockbuster Captain America: The First Avenger, subjecting the superhero to a battery of elements
Scott Gemmell boards Mothership
Mothership has named ex-Motion Theory veteran Scott Gemmell as Head of Production.
Harry Potter ends in a flood of VFX
Framestore finishes VFX work on Harry Potter and the Deathly Hallows: Part II, marking the end of ten years of helping to bring the world created by JK Rowling to magical life
World painted 4 Beyoncé
Brickyard VFX has created a promo for Beyoncé’s new release ‘4’, which presents a hand-painted view of iconic international landmarks.
Cinesite gears up for World War Z
Cinesite is to provide a ‘significant’ number of vfx shots on Marc Foster’s forthcoming World War Z, starring Brad Pitt
Tick Tock Croc
The Mill’s double-BAFTA winning TV team has created the iconic ticking crocodile for Sky Movies HD’s forthcoming live-action movie epic, Neverland.
Mutant history lessons
X-Men: First Class, the latest in the series of films from Twentieth Century Fox about the mutant superheroes, features a wealth of visual effects, including more than 115 vfx shots by London-based Cinesite
Inception bags an Oscar for DNeg
Double Negative’s vfx work was honoured at the 83rd Annual Academy Awards when the visual effects award went to Christopher Nolan’s movie, Inception.
Fizzing fantasy
Nexus directors Fx & Mat and Framestore have created an entirely CG 60-second film, Siege. The epic fantasy spot for Wieden + Kennedy Portland and Coca Cola aired in the US at Super Bowl XLV
Mill TV to create new Primeval VFX
The BAFTA winning Mill TV team has confirmed that it is onboard to create the visual effects for the new series of Primeval.
False face
Cinesite has completed visual effects for Harry Potter and the Deathly Hallows Part 1, including Lord Voldemort’s snake-like features, the ghost of Dumbledore, and a Patronus doe.
Snake charming
MPC completed over 180 shots for Harry Potter and the Deathly Hallows, Part 1, including bringing Nagini the snake to life, creating digi-doubles for the ‘polyjuice transformation’ sequence and carrying out extensive environment work.
Rude elf
Harry Potter and the Deathly Hallows: Part 1 sees Framestore providing some of its finest work yet, including recreated house-elves, a magical animated storybook sequence and other dazzling VFX- 110 shots in all.
Cinesite takes on X-Men:First Class
Cinesite has been awarded a major contract for visual effects and CG work on the new Twentieth Century Fox film, X-Men: First Class
