{"id":11998,"date":"2018-07-28T11:16:22","date_gmt":"2018-07-28T10:16:22","guid":{"rendered":"http:\/\/www.firedbydesign.com\/?p=11998"},"modified":"2018-07-28T11:16:22","modified_gmt":"2018-07-28T10:16:22","slug":"vfx-legion-adds-to-superfly-carnage-with-over-100-vfx-shots","status":"publish","type":"post","link":"https:\/\/firedbydesign.com\/?p=11998","title":{"rendered":"VFX Legion adds to Superfly carnage with over 100 vfx shots"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full wp-image-12016 lazyload\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/fbdimg\/2018\/07\/Superfly_VFXLegion0.jpg?resize=800%2C469&#038;ssl=1\" alt=\"\" width=\"800\" height=\"469\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_VFXLegion0.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_VFXLegion0.jpg?resize=520%2C305&amp;ssl=1 520w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_VFXLegion0.jpg?resize=580%2C340&amp;ssl=1 580w\" data-sizes=\"(max-width: 800px) 100vw, 800px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 800px; --smush-placeholder-aspect-ratio: 800\/469;\" \/><\/p>\n<p><a href=\"http:\/\/vfxlegion.com\">VFX Legion<\/a> has created over 100 digital effects for <em>Superfly<\/em>, Sony\u2019s highly anticipated remake of the iconic \u201870\u2019s Blaxploitation film.<\/p>\n<p>The LA studio was brought onboard by producer <a href=\"https:\/\/www.imdb.com\/name\/nm0005428\/?ref_=fn_al_nm_1\">Joel Silver<\/a> and <a href=\"https:\/\/www.imdb.com\/name\/nm1962311\/?ref_=fn_al_nm_1\">Director X<\/a> when the deadline was only five weeks away, and the visual effects for key action sequences had yet to be assigned. Legion\u2019s team was tasked with producing a complex mix of shots designed to heighten the visual impact and visceral feel of the violence in the film\u2019s two pivotal shootout scenes.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full wp-image-12017 lazyload\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/fbdimg\/2018\/07\/Superfly_VFXLegion2.jpg?resize=800%2C469&#038;ssl=1\" alt=\"\" width=\"800\" height=\"469\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_VFXLegion2.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_VFXLegion2.jpg?resize=520%2C305&amp;ssl=1 520w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_VFXLegion2.jpg?resize=580%2C340&amp;ssl=1 580w\" data-sizes=\"(max-width: 800px) 100vw, 800px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 800px; --smush-placeholder-aspect-ratio: 800\/469;\" \/><\/p>\n<p>The reboot of <em>Superfly<\/em>puts a modern, stylish spin on the original 1972 film about a Harlem drug dealer trying to score one last deal before getting out of \u2018the game.\u2019 Set in present-day Atlanta, the action is driven by a hip-hop soundtrack curated by <a href=\"http:\/\/freebandz.com\/home\/\">Future<\/a>. The city\u2019s distinctive style is the backdrop for a new generation of affluent, extravagant drug kingpins that takes violence to the extreme.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full wp-image-12015 lazyload\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/fbdimg\/2018\/07\/Title_Frame_Superfly.jpg?resize=696%2C449&#038;ssl=1\" alt=\"\" width=\"696\" height=\"449\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Title_Frame_Superfly.jpg?w=696&amp;ssl=1 696w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Title_Frame_Superfly.jpg?resize=496%2C320&amp;ssl=1 496w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Title_Frame_Superfly.jpg?resize=527%2C340&amp;ssl=1 527w\" data-sizes=\"(max-width: 696px) 100vw, 696px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 696px; --smush-placeholder-aspect-ratio: 696\/449;\" \/><\/p>\n<p>VFX Legion\u2019s founder, CD and senior visual effects supervisor, <a href=\"https:\/\/www.imdb.com\/name\/nm1085563\/?ref_=fn_al_nm_1\">James David Hattin<\/a>, and VFX producer, <a href=\"https:\/\/www.imdb.com\/name\/nm2745355\/?ref_=fn_al_nm_1\">Nate Smalley<\/a>, stepped into the project during an edit session where they were brought up to speed by Silver, rapper and producer Future and music-video auteur, Director X, a.k.a. Julien Christian Lutz.<\/p>\n<p>\u201cJoel Silver is a very hands-on producer, renowned for his work in the action film genre,\u201d said Hattin. \u201cHe had a very particular vision of how he wanted the visual effects to augment the footage. Nate and I left the session with a clear understanding of the digital assets that the movie required.\u201d<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full wp-image-12018 lazyload\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/fbdimg\/2018\/07\/Superfly_VFXLegion1.jpg?resize=800%2C469&#038;ssl=1\" alt=\"\" width=\"800\" height=\"469\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_VFXLegion1.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_VFXLegion1.jpg?resize=520%2C305&amp;ssl=1 520w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_VFXLegion1.jpg?resize=580%2C340&amp;ssl=1 580w\" data-sizes=\"(max-width: 800px) 100vw, 800px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 800px; --smush-placeholder-aspect-ratio: 800\/469;\" \/><\/p>\n<h4>Legion of effects<\/h4>\n<p>Launched in Burbank in 2013, with 70+ skilled VFX artists and a pioneering pipeline at its core, Legion specialises in providing episodic television shows and feature films with high-quality visual effects \u201cthat get the most out of every budget\u201d.<\/p>\n<p>The mix of visual effects that Legion produced for the two main shootout sequences in <em>Superfly\u00a0<\/em>magnify the intensity of the carnage during these face-offs and brings home the ferocity and violence at the core of the film.<\/p>\n<div id=\"twenty20-1\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-1 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_Fire_Enhancement1_After_Frame.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_Fire_Enhancement1_Before_Frame.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n<p>\u201cJoel wanted to capture the \u2018big\u2019 feel of <a href=\"https:\/\/www.imdb.com\/title\/tt0133093\/?ref_=fn_al_tt_1\"><em>The Matrix <\/em><\/a>film,\u201d said Hattin. \u201cTo take the shoot-out scenes to that extreme, we created thousands of digital particles flying from bullet hits and blasts of debris that tore the drywall to shreds.\u201d<\/p>\n<div id=\"twenty20-2\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-2 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_BloodHit_After_Frame.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_BloodHit_Before_Frame.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n<p><a href=\"https:\/\/www.imdb.com\/name\/nm1935014\/?ref_=fn_al_nm_1\">Eric Ebling<\/a>, Legion\u2019s Houdini artist, created numerous simulations of debris from the walls that blended with the look and texture of the practical footage. These caches were lit and rendered in Redshift, and then integrated into the scenes. Muzzle flashes were digitally created to heighten the impact of the violence in a number of scenes.<\/p>\n<div id=\"twenty20-3\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-3 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_Muzzle_Flash_Damage_After_Frame.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_Muzzle_Flash_Damage_Before_Frame.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n<p>The studio\u2019s team augmented squibs from bullet hits with computer-generated blood that streams out of wounds, puddles on the floor and splatters in realistic patterns. Residue left by the squibs was digitally removed.<\/p>\n<div id=\"twenty20-4\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-4 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_Wound_Enhancement_After_Frame.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_Wound_Enhancement_Before_Frame.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n<p>During the production of <em>Superfly<\/em>, a number of fires were shot on-set that ended up being used as starting points for the much larger and more dramatic CG blazes that Legion\u2019s team designed. <a href=\"https:\/\/www.imdb.com\/name\/nm3528428\/?ref_=fn_al_nm_1\">Nick Guth<\/a> and <a href=\"https:\/\/www.imdb.com\/name\/nm6835951\/?ref_=nv_sr_5\">Dan Short<\/a>, two of the studio\u2019s lead compositors, created the wall of fire that the main characters run through, followed by the rival gang leader jumping through the flames in pursuit \u2013 all with the help of digital effects.<\/p>\n<div id=\"twenty20-5\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-5 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_Fire_Enhancement2_After_Frame.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_Fire_Enhancement2_Before_Frame.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n<p>Layering in multiple stock photographs of fire elements and 3D tracking of the camera in Syntheyes, enabled the company\u2019s Nuke artists to produce shots with a photorealistic look and seamlessly sync them with the footage.<\/p>\n<div id=\"twenty20-6\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-6 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_FireJump_Before_Frame.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/07\/Superfly_FireJump_After_Frame.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n<p>\u201cThe visual effects that VFX Legion created were all about amplifying the impact of the violence captured with practical footage and Intensifying the spectacle of the film to achieve the look that the director and producer envisioned,\u201d concluded Hattin.<\/p>\n<p><span lang=\"EN-US\">VFX Breakdown reel for <em>Superfly<\/em><\/span><\/p>\n<p style=\"text-align: center;\"><\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 30px;\"><em><strong>Credits<\/strong><\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Project: Superfly<\/em><br \/>\n<em>Client: Sony Pictures<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>VFX Company: <a href=\"http:\/\/vfxlegion.com\">VFX Legion<\/a> \/LA<\/em><br \/>\n<em>VFX Supervisor: James David Hattin<\/em><br \/>\n<em>VFX Executive Producer: Reid Burns<\/em><br \/>\n<em>VFX Producer: Nate Smalley<\/em><br \/>\n<em>VFX Production Manager: Andrew Turner<\/em><br \/>\n<em>CG Supervisor: Rommel S. Calderon<\/em><br \/>\n<em>VFX Coordinator: Lexi Sloan<\/em><br \/>\n<em>CG Artist: Eric Ebling<\/em><br \/>\n<em>CG Artist: Alex Keller<\/em><br \/>\n<em>Camera Tracking: Ruy Delgado<\/em><br \/>\n<em>Compositor: Nick Guth<\/em><br \/>\n<em>Compositor: Brad Moylan<\/em><br \/>\n<em>Compositor: Eugen Olsen<\/em><br \/>\n<em>Compositor: Kevin Shawley<\/em><br \/>\n<em>Compositor: Dan Short<\/em><br \/>\n<em>Bookkeeping: Michaela O\u2019Brien<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Director: Director X (Jules Christian Lutz)<\/em><br \/>\n<em>Executive Producer: Matthew Hirsch<\/em><br \/>\n<em>Producer: Joel Silver<\/em><br \/>\n<em>Producer\/Music Curator: Future<\/em><br \/>\n<em>Producer: Palak Patel<\/em><br \/>\n<em>Cinematographer: Amir Mokri<\/em><br \/>\n<em>Screenplay by: Alex Tse<\/em><br \/>\n<em>Talent: Trevor Jackson, Jason Mitchell, Lex Scott Davia<\/em><\/p>\n<p style=\"padding-left: 30px;\"><em>Production Companies:<\/em><br \/>\n<em>Sony Pictures Entertainment (SPE)<\/em><br \/>\n<em>Silver Productions<\/em><br \/>\n<em>Columbia Pictures<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>VFX Legion has created over 100 digital effects for Superfly, Sony\u2019s highly anticipated remake of the iconic \u201870\u2019s Blaxploitation film. The LA studio was brought onboard by producer Joel Silver and Director X when&#46;&#46;&#46;<\/p>\n","protected":false},"author":129,"featured_media":12024,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[68],"tags":[32,3096,36,3100,3094,3097,3095,3098,205,3099,3101],"class_list":["post-11998","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vfx-projects","tag-compositing","tag-director-x","tag-film","tag-james-david-hattin","tag-joel-silver","tag-julien-christian-lutz","tag-rapper-future","tag-superfly","tag-vfx","tag-vfx-legion","tag-violence"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>VFX Legion adds to Superfly carnage with over 100 vfx shots - Fired By Design<\/title>\n<meta name=\"description\" content=\"LA-based vfx studio delivers key action sequence effects for Director X and Joel Silver&#039;s remake of the iconic \u201870\u2019s Blaxploitation film\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/firedbydesign.com\/?p=11998\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"VFX Legion adds to Superfly carnage with over 100 vfx shots - 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