{"id":12059,"date":"2018-09-26T14:15:49","date_gmt":"2018-09-26T13:15:49","guid":{"rendered":"http:\/\/www.firedbydesign.com\/?p=12059"},"modified":"2018-09-26T16:34:33","modified_gmt":"2018-09-26T15:34:33","slug":"mpc-film-adds-creature-features-to-the-predator","status":"publish","type":"post","link":"https:\/\/firedbydesign.com\/?p=12059","title":{"rendered":"MPC Film adds creature features to The Predator"},"content":{"rendered":"\n<div class=\"wp-block-cover-image lazyload\" style=\"background-image:inherit\" data-bg-image=\"url(https:\/\/firedbydesign.com\/fbdimg\/2018\/09\/E_BF_0170_marketing_4K_v1.1009-1.jpg)\"><\/div>\n\n\n\n<p class=\"has-drop-cap\">The universe\u2019s most lethal hunters are stronger, smarter and deadlier than ever before in <a href=\"https:\/\/www.imdb.com\/name\/nm0000948\/?ref_=fn_al_nm_1#director\" target=\"_blank\">Shane Black\u2019<\/a>s explosive reinvention of the Predator series. Having genetically upgraded themselves with DNA from other species, the alien Predators bring the hunt from the outer reaches of space to in the small-town streets of suburbia when a young boy accidentally triggers their return to Earth. Only a ragtag crew of ex-soldiers and an evolutionary biology professor can prevent the end of the human race.<\/p>\n\n\n\n<div class=\"wp-block-cover-image has-background-dim lazyload\" style=\"background-image:inherit\" data-bg-image=\"url(https:\/\/firedbydesign.com\/fbdimg\/2018\/09\/E_UA_0460_Marketing_still_v1.1015.jpg)\"><\/div>\n\n\n\n<p>MPC Film\u2019s team were led by VFX Supervisors <a href=\"https:\/\/www.imdb.com\/name\/nm0514650\/?ref_=fn_al_nm_1\" target=\"_blank\">Richard Little <\/a>and <a href=\"https:\/\/www.imdb.com\/name\/nm0039725\/?ref_=fn_al_nm_1\" target=\"_blank\">Arundi Asregadoo<\/a>, creating 500 shots for this fourth movie in the Predator series. The majority of the work required hero animation for the Upgraded Predator and additional work included the Predator Dogs, FX effects and a CG swamp environment.<\/p>\n\n\n\n<div class=\"wp-block-cover-image has-background-dim lazyload\" style=\"background-image:inherit\" data-bg-image=\"url(https:\/\/firedbydesign.com\/fbdimg\/2018\/09\/E_UA_0460_Marketing_still_v1.1015-2.jpg)\"><\/div>\n\n\n\n<p>MPC Film\u2019s character lab department modelled, sculpted and textured the Upgrade and Predator Dogs to a high level of detail, allowing the director to have flexibility to view close ups, if needed.<\/p>\n\n\n<div id=\"twenty20-1\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-1 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_BF_0170_marketing_4K_v1.1009-1.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_BF_0170_marketing_4K_plate_v1.1015.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n\n\n\n<p>Technical animation applied movement to the muscle system and added the flowing motion to the dreadlocks on all of the film\u2019s hero alien characters, an integral part of the Predator\u2019s aesthetic in the franchise.<\/p>\n\n\n<div id=\"twenty20-2\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-2 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_UP_1380_marketing_4k_BS_v1.1099.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_UP_1380_marketing_4k_v1.1099.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n\n\n\n<p>MPC\u2019s artists also created photo realistic Predator One and digital double mercenary characters for the film. 64 other assets were created, ranging from stones and sticks for the swamp floor, to grenades, a grenade launcher and bombs.<\/p>\n\n\n<div id=\"twenty20-3\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-3 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_CE_0190_BS_marketing_v1.1015.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_CE_0190_marketing_still_v1.1015.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n\n\n\n<p>MPC\u2019s artists also worked on the scene where the Upgrade\u2019s dogs are first encountered, sent out to hunt the Predator. The sequence was shot on a blue screen stage and on location. The digital environments team built a 360-degree baseball field matching the location shoot, from reference photography. Creating simple geometry and re-projecting the textures helped create a realistic environment.<\/p>\n\n\n<div id=\"twenty20-4\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-4 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_MD_2115_marketing_still_v1.1015.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_MD_2115_marketing_still_BS_v1.1015.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n\n\n\n<p>Once the Upgrade tracks down the \u2018fugitive\u2019 Predator the fight begins. To create the scene MPC used a mixture of the live action Predator, intercut with the full CG Predator. The battle culminates with the Upgrade ripping the head and spine away from the body of the Fugitive. This shot was big challenge for the FX and technical animation team who also added green Predator blood into the mix, amplifying the gore factor.<\/p>\n\n\n<div id=\"twenty20-5\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-5 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_FB_0930_BS_v1.1015.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_FB_0930_Marketing_still_v1.1015.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n\n\n\n<p>In the Hunt Scene, the band of misfit heroes traps the Upgrade and sets the ultimate hunter alight. MPC Film said the sequence was technically challenging for the animation, lighting and FX teams who worked very closely to create a convincing Upgrade, appearing as if on fire.<\/p>\n\n\n<div id=\"twenty20-6\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-6 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_RT_0080_marketing_still_v1.1015.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_RT_0080_plate_marketing_still_v1.1015.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n\n\n\n<p>For the final battle, MPC Film\u2019s digital environments artists created a full CG swamp where the Upgrade\u2019s ship crash-lands. The team was tasked with matching the set and creating a 360-degree CG set extension with FX water.<\/p>\n\n\n<div id=\"twenty20-7\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-7 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_FB_0360_marketing_still_BS_v1.1015.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_FB_0360_marketing_still_comp_v1.1015.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n\n\n\n<p>A big challenge was how to ensure the Upgraded Predator interacted realistically with the actors and set. The Animation, Tech Anim, and FX team worked hard to make the Upgraded Predator fit seamlessly into this environment.<\/p>\n\n\n<div id=\"twenty20-8\" class=\"twenty20\" style=\"width: 100% !important; clear: both;\"><div class=\"twentytwenty-container twenty20-8 \"><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_MD_2115_marketing_still_v1.1015.jpg?ssl=1\" alt=\"Before image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><img data-recalc-dims=\"1\" decoding=\"async\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2018\/09\/E_MD_2115_marketing_still_BS_v1.1015.jpg?ssl=1\" alt=\"After image\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div><\/div>\n\n\n\n<p><a href=\"https:\/\/www.mpcfilm.com\" target=\"_blank\">Visit MPC Film<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/firedbydesign.com\/2017\/07\/04\/mpcs-heroic-effort-delivers-hundreds-vfx-shots-wonder-woman\/\">View more projects by MPC Film on Fired By Design<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MPC Fillm, led by VFX Supervisors Richard Little and Arundi Asregadoo, has created 500 shots for Shane Black\u2019s explosive reinvention of the Predator series<\/p>\n","protected":false},"author":129,"featured_media":12097,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,68],"tags":[3108,272,3107,950,2610,3103,205,298],"class_list":["post-12059","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inspiration","category-vfx-projects","tag-arundi-asregadoo","tag-mpc","tag-richard-little","tag-sci-fi","tag-shane-black","tag-the-predator","tag-vfx","tag-vfx-supervisor"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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