{"id":3794,"date":"2010-02-18T13:42:11","date_gmt":"2010-02-18T13:42:11","guid":{"rendered":"http:\/\/www.firedbydesign.com\/?p=3794"},"modified":"2017-04-28T11:01:01","modified_gmt":"2017-04-28T10:01:01","slug":"furry-faced-fx","status":"publish","type":"post","link":"https:\/\/firedbydesign.com\/?p=3794","title":{"rendered":"Furry Faced FX"},"content":{"rendered":"<p>MPC&#8217;s work on recently released monster hit \u2018The Wolfman&#8217; includes fully animated creature scenes, three gruesome transformations, completely GGI London rooftop scenes, enhancement of live-action wolfman shots, and the film&#8217;s climactic waterfall environment.<br \/>\n<a href=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman_pr_stills0013.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full wp-image-3799 lazyload\" title=\"wolfman_pr_stills0013\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman_pr_stills0013.jpg?resize=600%2C325&#038;ssl=1\" alt=\"\" width=\"600\" height=\"325\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman_pr_stills0013.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman_pr_stills0013.jpg?resize=520%2C282&amp;ssl=1 520w\" data-sizes=\"(max-width: 600px) 100vw, 600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/325;\" \/><\/a><\/p>\n<p>Joe Johnston\u2019s remake of the 1941 classic \u2018The Wolfman&#8217;, for Universal Studios, saw MPC as the lead visual effects company on the feature. The film stars Anthony Hopkins, Emily Blunt and Benicio del Toro in the title role.<\/p>\n<p>MPC faced many creative challenges, providing concept art and scene design which supported Johnston&#8217;s vision for the film&#8217;s tension-filled atmosphere.<\/p>\n<p>&#8220;Wolfman was a project a bunch of us here got excited about the moment we heard about it,&#8221; said visual effects supervisor Adam Valdez, &#8220;It was a chance to apply our creative drive and tools to some very concentrated, difficult scenes. All of our teams brought their best to these shots. In particular, the transformation scenes required a lot of fresh ideas, trial-and-error and custom work to get what worked for Joe.&#8221;<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman-leap.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full wp-image-3800 lazyload\" title=\"wolfman-leap\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman-leap.jpg?resize=600%2C256&#038;ssl=1\" alt=\"\" width=\"600\" height=\"256\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman-leap.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman-leap.jpg?resize=520%2C222&amp;ssl=1 520w\" data-sizes=\"(max-width: 600px) 100vw, 600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/256;\" \/><\/a><\/p>\n<p>MPC brought the latest in design, animation and realism to the film, bridging Rick Baker&#8217;s prosthetic makeup work and the film&#8217;s atmospheric production design. Set in Victorian England, the film shows Lawrence Talbot returning to his hometown after a family tragedy, when a legendary beast attacks him. The London-based team, led by top talent such as Gary Brozenich and Adam Valdez, brought to life concept designs from MPC\u2019s own art and animation departments. The transformations were to be both stunningly realistic and viewed close to camera. The creative process took the team through several approaches that would give audiences something new, while keeping some sense of convention.<\/p>\n<p>In order to be fully developed, concepts had to be animated and then worked by hand through modeling (in Maya and Zbrush), texturing (in Photoshop) and fur-groom stages (using MPC&#8217;s proprietary &#8216;Furtility&#8217; software), so that practically each transformation shot became a custom job.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman2.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full wp-image-3797 lazyload\" title=\"wolfman2\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman2.jpg?resize=600%2C251&#038;ssl=1\" alt=\"\" width=\"600\" height=\"251\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman2.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman2.jpg?resize=520%2C218&amp;ssl=1 520w\" data-sizes=\"(max-width: 600px) 100vw, 600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/251;\" \/><\/a><\/p>\n<p>The transitions broke down to six \u2018painful\u2019 stages, including expanding veins and skin bruising, hair growth and the visible change of muscle and bone. Cyber scans of Benicio del Toro were used as the basis for a fully articulated head rig, capable of going from the actor to a fully transformed Wolfman. Custom animation setups were also built for hands and feet by a team led by Tom Reed, head of rigging at MPC, then groomed with Furtility. This offered the ability for custom hair work on a per shot basis, in order to bridge live action shots and obtain a perfect match to shots of makeup and mask enhancement. Many of these shots were extreme close-ups, requiring detail down to every pore of skin. Skin lighting and shading were pushed to the next level for this project, including new efficient methods for sub-surface scattering and fine specular modelling.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/Wolfman1.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full wp-image-3796 lazyload\" title=\"Wolfman1\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/Wolfman1.jpg?resize=600%2C253&#038;ssl=1\" alt=\"\" width=\"600\" height=\"253\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/Wolfman1.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/Wolfman1.jpg?resize=520%2C219&amp;ssl=1 520w\" data-sizes=\"(max-width: 600px) 100vw, 600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/253;\" \/><\/a><\/p>\n<p>Full London rooftop environments were created, using a combination of 3D architecture and 2D matte-painting. Several different environments were entirely designed at MPC during postproduction, in addition to the master shots looking over the Thames River, and a time-lapse shot located under London&#8217;s iconic Tower Bridge. MPC&#8217;s location in central London proved invaluable for creating such environments via photogrammetric modelling from location shoots, using a combination of Maya, Photoshop and MPC\u2019s proprietary Tickle lighting tool.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman3.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter size-full wp-image-3798 lazyload\" title=\"wolfman3\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman3.jpg?resize=600%2C255&#038;ssl=1\" alt=\"\" width=\"600\" height=\"255\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman3.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2010\/02\/wolfman3.jpg?resize=520%2C221&amp;ssl=1 520w\" data-sizes=\"(max-width: 600px) 100vw, 600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/255;\" \/><\/a><\/p>\n<p>Projecting photography onto animated wolfman faces and legs, the 2D team led by Arundi Asregadoo enhanced live action work. Transformation shots came together in compositing, where artists tracked in fine veins and skin changes, based on texture work generated by the fx department and aided by MPC\u2019s proprietary scripting tool Giggle. Atmosphere was a constant issue in the film, with compositors blending in many photographic elements as well as simulated smoke and debris. Compositors worked closely with environment artists in a collaborative effort, using MPC&#8217;s techniques for multi-layered 2.5D environment rendering, including shake, nuke and mokey.<\/p>\n<p><a title=\"&quot;MPC&quot; | Fired By Design \" href=\"https:\/\/firedbydesign.com\/?s=%22MPC%22&amp;submit.x=0&amp;submit.y=0&amp;submit=Search\" target=\"_blank\">See more by MPC on Fired By Design<\/a><\/p>\n<p><a title=\"www.moving-picture.com\" href=\"http:\/\/www.moving-picture.com\" target=\"_blank\">Visit MPC\u2028<\/a><\/p>\n<p style=\"text-align: right;\"><strong>Bright Sparks<\/strong><\/p>\n<p style=\"text-align: right;\"><a title=\"Joe Johnston\" href=\"http:\/\/www.imdb.com\/name\/nm0002653\/\" target=\"_blank\">Joe Johnston on the IMDB<\/a><\/p>\n<p style=\"text-align: right;\"><a title=\"Gary Brozenich\" href=\"http:\/\/www.imdb.com\/name\/nm1819614\/\" target=\"_blank\">Gary Brozenich on the IMDB<\/a><\/p>\n<p style=\"text-align: right;\"><a href=\"http:\/\/www.imdb.com\/name\/nm0883628\/\" target=\"_blank\">Adam Valdez on the IMDB<\/a><\/p>\n<p style=\"text-align: right;\"><a href=\"http:\/\/www.imdb.com\/name\/nm1643977\/\" target=\"_blank\">Tom Reed on the IMDB<\/a><\/p>\n<p style=\"text-align: right;\"><a href=\"http:\/\/www.imdb.com\/name\/nm0039725\/\" target=\"_blank\">Arundi Asregadoo on the IMDB<\/a><\/p>\n<p style=\"text-align: right;\"><a title=\"Rick Baker\" href=\"http:\/\/www.imdb.com\/name\/nm0000711\/\" target=\"_blank\">Rick Baker on the IMDB<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>MPC&#8217;s work on recently released monster hit \u2018The Wolfman&#8217; includes fully animated creature scenes, three gruesome transformations, completely created London rooftop scenes, enhancement of live-action wolfman shots, and the film&#8217;s climactic waterfall environment<\/p>\n","protected":false},"author":129,"featured_media":3796,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[68],"tags":[24,2940,32,37,273,49,2950,56,113,2942],"class_list":["post-3794","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vfx-projects","tag-3d","tag-animation-projects","tag-compositing","tag-film-production","tag-makeup","tag-maya","tag-nuke","tag-post-production","tag-rendering","tag-vfx-projects"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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