{"id":9141,"date":"2014-04-17T21:17:42","date_gmt":"2014-04-17T20:17:42","guid":{"rendered":"http:\/\/www.firedbydesign.com\/?p=9141"},"modified":"2014-05-01T21:24:15","modified_gmt":"2014-05-01T20:24:15","slug":"golden-galaxy-61-titles-open-fabulous-life","status":"publish","type":"post","link":"https:\/\/firedbydesign.com\/?p=9141","title":{"rendered":"Golden Galaxy 61 titles open The Fabulous Life"},"content":{"rendered":"

\"Fablife_open_01\"<\/p>\n

Animation and VFX studio Galaxy 61 has created an opulent show intro for VH1’s new 2014 season of The Fabulous Life.<\/p>\n

This hit series in the US reveals the extravagant places, possessions and pastimes of pop-culture\u2019s most famous celebrities. The Brooklyn-based boutique created a lavish intro that personifies the luxurious lifestyle with a series of iconic objects formed out of cascading simulated liquid gold.\"Fablife_open_02\"<\/p>\n

The intro begins with a close up of a female hand coated in gold, dropping a golden cherry into a gold martini glass. The cherry splashes into the glass, setting in motion a cascade of liquid gold that takes the shape of a luxury cars, and then languidly drips from the vehicle to form a series luxury objects – from a couture high-heeled shoe and private jet to a Rolex watch. The intro closes as a huge splash of the gold fluid reveals the show\u2019s logo.<\/p>\n

VH1 created the concept and storyboard, and then tasked Galaxy 61\u2019s owner, designer\/animator\/VFX artist, Doug Johnson, VFX artist, Fola Akinola and modeler\/VFX artist, Jasper Johnson with the complex execution of the effects-driven intro.<\/p>\n

\"Fablife_open_04\"<\/p>\n

Doug Johnson and his team did extensive R&D at the outset of the job to ensure that the content would have the specific look and feel that the client wanted. They then began the time-intensive process of sourcing all the models and putting together a full 3D animatic that choreographed the reveal of each object. Autodesk Maya 2011, Next Limit RealFlow, Adobe After Effects CS6 and Adobe Illustrator CS6 were all used on the project<\/p>\n

Doug Johnson and Galaxy 61 VFX artist, Fola Akinola, worked in tandem to create the multiple simulations and renderings of the objects, as well as the big splashes. Jasper Johnson brought a honed eye for detail to the process of reshaping the generic models of the object, simplifying some of them so they didn’t overwhelm the simulations, but still maintained their integrity, and adding fine points to others to create more detail after the liquid “solidified.” Additional transitions were created at the compositing stage and 3D elements were specifically designed to smoothly transform the initial molten liquid versions into the sharply defined finished objects.<\/p>\n

\"Fablife_open_03\"<\/a><\/p>\n

\u201cVH1 has a very skilled and innovative in-house team,\u201d said Doug Johnson. \u201cThe creative director, Lucien Yang, and producer, Shelli Sweeney, are always a pleasure to work with. The team’s of-the-moment design for the intro, and their patience while the R&D process played out, allowed us to create a final product that we\u2019re extremely proud of.\u201d<\/p>\n

\"Fablife_open_06\"<\/a><\/p>\n

The client\u2019s directive also included making the gold liquid flow with the consistency of honey, which was achieved by finessing the parameters in RealFlow to get the right combination of viscosity and friction. \u00a0Each string-like drip had to be individually simulated and then merged with the objects as they took shape. \u00a0Rather than keeping the camera on the same plane, Doug Johnson devised a spiralling camera motion to emphasise the depth of the accumulating drips, and to add an element of discovery to the cascading product reveals. Galaxy 61\u2019s level of technical capability uniquely qualifies the animation\/VFX boutique to create the kind of extensive liquid simulations required for the VH1 show open.<\/p>\n

\u201cThis was the first project that really maxed out our newly updated render farm and 4X gigabit network, and we really enjoyed pulling out all the stops and pushing the technology to its limits,\u201d said Johnson. \u201cThe Rolex watch was the ultimate test of our capabilities, because it\u2019s comprised of so many separate pieces and details that needed to be simplified, without losing the essence of the object. This simulation consistently took the longest, and the resultant mesh contains millions of polygons.\u201d\"Fablife_open_05\"<\/p>\n

Part of the creative challenge of creating high-quality liquid simulations is the long computation time required for each individual transformation. The intro for \u2018The Fabulous Life\u2019 included seven individual liquid transformations \u2013 plus the two large splashes that revealed the logo at the end. Even with the technical capabilities of Galaxy 61\u2019s extensive network of workstations\u2019 efficiently running multiple simulations, a full revision of the open still required a two to three-day turnaround. \u00a0VH1 in-house creative team did the final compositing, added background elements, the logo end tag and provided the music.<\/p>\n

\"Fablife_open_07\"<\/p>\n

\u201cAnother consideration was that there\u2019s no such thing as presets for this kind of dynamic simulation, so the R&D was critical to achieving the desired look,\u201d added Johnson. \u201cAny project featuring multiple fluid simulations is a challenge, but at the end of the day we were trying to direct and choreograph a liquid being poured out of a bucket – so a two and a half week schedule is really pushing the envelope.\u201d<\/p>\n

\u201cThis open is just the kind of project that Galaxy 61 thrives on,\u201d added Johnson. \u201cVH1 brought us an inspirational concept and storyboard and our talent and technology transformed it into a fresh, innovative visual story with a kind of hip-hop sensibility that ties into the program\u2019s content.\u201d<\/p>\n

\"Fablife_open_08\"<\/a><\/p>\n

Visit Galaxy 61<\/a><\/p>\n

\n
\n
Credits<\/strong><\/address>\n
Title: \u201cThe Fabulous Life Of 2014\u201d<\/address>\n
Client: VH1 (Viacom) NYC<\/address>\n
Producer: Shelli Sweeney<\/address>\n
Creative Directors: \u00a0lucien Yang And Amanda Havey<\/address>\n
VFX\/Animation Company: Galaxy 61\/Ny \u00a0 (http:\/\/www.galaxy61.com)<\/address>\n
Designer: Doug Johnson<\/address>\n
VFX Artists: Doug Johnson, Fola Akinola<\/address>\n
Animator\/Designer: Doug Johnson<\/address>\n
Modeling: Jasper Johnson<\/address>\n
Music and Audio post: VH1<\/address>\n
Music\/sound design: Scott Pittinsky<\/address>\n<\/dt>\n
\n
Length: 20 seconds<\/address>\n
Premiere Date: March 5th, 2015 (Currently On Air)<\/address>\n<\/dt>\n<\/dl>\n
\u00a0<\/address>\n","protected":false},"excerpt":{"rendered":"

Galaxy 61 has created an opulent show intro for VH1’s new US season of The Fabulous Life.<\/p>\n","protected":false},"author":129,"featured_media":9151,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,2855,68],"tags":[2620,2849,2847,2850,2851,2848,148],"class_list":["post-9141","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-projects","category-visual-effects-projects","category-vfx-projects","tag-adobe-after-effects-cs6","tag-adobe-illustrator-cs6","tag-autodesk-maya-2011","tag-fluid-simulations","tag-galaxy-61","tag-next-limit-realflow","tag-rd"],"yoast_head":"\nGolden Galaxy 61 titles open The Fabulous Life - Fired By Design<\/title>\n<meta name=\"description\" content=\"Animation and VFX studio Galaxy 61 has created an opulent show intro for VH1's new 2014 season of The Fabulous Life.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/firedbydesign.com\/?p=9141\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Golden Galaxy 61 titles open The Fabulous Life - 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