{"id":9952,"date":"2016-02-18T00:32:40","date_gmt":"2016-02-18T00:32:40","guid":{"rendered":"http:\/\/www.firedbydesign.com\/?p=9952"},"modified":"2016-02-18T10:18:37","modified_gmt":"2016-02-18T10:18:37","slug":"9952","status":"publish","type":"post","link":"https:\/\/firedbydesign.com\/?p=9952","title":{"rendered":"Long-form doors swing open for Axis"},"content":{"rendered":"<p><a href=\"http:\/\/www.axis-vfx.com\">Axis<\/a> is branching out into the broader entertainment industry, expanding into long format television and film with\u00a0new projects for two of its studio divisions.<\/p>\n<p>The Axis team is collaborating with co-producers Balloon Entertainment and Kindle Entertainment for E4 and Netflix on the\u00a0series\u00a0<em>Kiss Me First<\/em>.<\/p>\n<p><a href=\"http:\/\/www.flauntproductions.com\" target=\"_blank\">Flaunt<\/a>, Axis\u2019 sister studio, has announced the creation of its long format division, which will specialise in the production of animated television series, TV specials and feature films.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter wp-image-9956 lazyload\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/fbdimg\/2016\/02\/LSOZ_FB_Still_02.jpg?resize=600%2C600&#038;ssl=1\" alt=\"LSOZ_FB_Still_02\" width=\"600\" height=\"600\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_02.jpg?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_02.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_02.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_02.jpg?resize=340%2C340&amp;ssl=1 340w\" data-sizes=\"(max-width: 600px) 100vw, 600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/600;\" \/><\/p>\n<p>Flaunt has already secured three productions in this area and has added staff to its studio locations in Glasgow and Bristol to take on the creative work.<\/p>\n<p>\u201cFlaunt has always been looking at longer format animation production,\u201d said Flaunt executive producer Andrew Pearce. &#8220;It is the perfect match for what we represent as a studio, combining great storytelling, charming characters with plenty of humour.&#8221;<\/p>\n<p>Flaunt\u2019s first long format production was the <a href=\"http:\/\/www.amazon.co.uk\/Lost-in-Oz-Season-1\/dp\/B00ZVPEROO\" target=\"_blank\"><em>Lost in Oz<\/em><\/a>\u00a0pilot for Amazon Studios. Created and produced by Bureau of Magic in Los Angeles, <em>Lost in Oz<\/em>\u00a0was recently green lit to debut on Amazon Prime Video.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter wp-image-9958 lazyload\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/fbdimg\/2016\/02\/lost-in-oz.jpg?resize=600%2C338&#038;ssl=1\" alt=\"lost-in-oz\" width=\"600\" height=\"338\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/lost-in-oz.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/lost-in-oz.jpg?resize=520%2C293&amp;ssl=1 520w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/lost-in-oz.jpg?resize=604%2C340&amp;ssl=1 604w\" data-sizes=\"(max-width: 600px) 100vw, 600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/338;\" \/><\/p>\n<p>This announcement will see Flaunt continue to provide design development and art direction services throughout 2016, led by Flaunt Director and Art Director Stephen Donnelly.<\/p>\n<p>Most recently Flaunt has added to its long format project roster with the production of two <a href=\"https:\/\/en.m.wikipedia.org\/wiki\/Monster_High\" target=\"_blank\"><em>Monster High<\/em>\u00a0<\/a>animated features for Mattel, which will be coming to DVD and Blu-Ray in 2016 and 2017.<\/p>\n<p>The two features are directed by Flaunt&#8217;s Stephen Donnelly and\u00a0Olly Reid, and Avgousta Zourelidi, with production spanning the company\u2019s Glasgow and Bristol studios.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter wp-image-9954 lazyload\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/fbdimg\/2016\/02\/LSOZ_FB_Still_03a.jpg?resize=600%2C600&#038;ssl=1\" alt=\"LSOZ_FB_Still_03a\" width=\"600\" height=\"600\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_03a.jpg?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_03a.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_03a.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_03a.jpg?resize=340%2C340&amp;ssl=1 340w\" data-sizes=\"(max-width: 600px) 100vw, 600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/600;\" \/><\/p>\n<p>The new six-part thriller <em><a href=\"http:\/\/www.channel4.com\/info\/press\/news\/kiss-me-first-from-creator-of-skins-to-premiere-on-e4-netflix\" target=\"_blank\">Kiss Me First\u00a0<\/a><\/em>will combine live action and animated virtual world sequences created by Axis.<\/p>\n<p>Based on\u00a0the best-selling novel by Lottie Moggach, <em>Kiss Me First<\/em> is being adapted by <em>Skins<\/em> creator Bryan Elsley from Balloon, and will premiere on E4 in the UK, with Netflix streaming the series globally from July 2017.<\/p>\n<p>Being hailed as a &#8216;truly groundbreaking&#8217; new series, the story follows two very different girls\u00a0chosen to join a secret sect. The sect is not\u00a0what it seems and the two friends have to race across the virtual and the real worlds to uncover the sinister truth about the sect\u2019s creator.<\/p>\n<p>Richard Scott, managing director of Axis, said, \u201cIt is fantastic to work forhousehold names such as E4 and Netflix bringing animation to an older skewing worldwide audience. People\u2019s perception of animation is changing, animated content is not just for kids and <em>Kiss Me First<\/em>\u00a0\u00a0is a natural extension to the Axis teams\u2019 work on some of the world\u2019s biggest game franchises.\u201d<\/p>\n<p>\u201cWe\u2019ve gone into these longer format productions full of enthusiasm and packed with creative talent,\u201d added\u00a0Scott. \u201cWe\u2019ve extended our teams, created new departments, adapted our processes and added to our technical infrastructure.&#8221;<\/p>\n<p>Flaunt has created a new story department, added new staff to the\u00a0roster in art direction, animation, layout and production management, and the Axis group as a whole has increased its file server and render-farm infrastructure by over 100%.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"aligncenter wp-image-9957 lazyload\" data-src=\"https:\/\/i0.wp.com\/firedbydesign.com\/fbdimg\/2016\/02\/LSOZ_FB_Still_01.jpg?resize=600%2C600&#038;ssl=1\" alt=\"LSOZ_FB_Still_01\" width=\"600\" height=\"600\" data-srcset=\"https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_01.jpg?w=720&amp;ssl=1 720w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_01.jpg?resize=160%2C160&amp;ssl=1 160w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_01.jpg?resize=320%2C320&amp;ssl=1 320w, https:\/\/i0.wp.com\/firedbydesign.com\/wp-content\/uploads\/2016\/02\/LSOZ_FB_Still_01.jpg?resize=340%2C340&amp;ssl=1 340w\" data-sizes=\"(max-width: 600px) 100vw, 600px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 600px; --smush-placeholder-aspect-ratio: 600\/600;\" \/><\/p>\n<p>&#8220;We believe that Flaunt has the capacity to compete with major studios in the longer format animation production space,\u201d continued\u00a0Scott.\u00a0\u201cWe are incredibly excited about both the creative and business opportunities in the long format market, and believe the group\u2019s reputation for collaborative relationships and high production values mean that this is just the start. With other long format productions on our horizon, the future is very bright for both the Axis and Flaunt teams.&#8221;<\/p>\n<p><a href=\"http:\/\/www.axisanimation.com\">www.axisanimation.com<\/a><\/p>\n<p><a href=\"http:\/\/www.flauntproductions.com\">www.flauntproductions.com<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Glasgow and Bristol-based animation group is branching out, from game cinematics and TV VFX, to long format television and film animation<\/p>\n","protected":false},"author":129,"featured_media":9953,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19],"tags":[1753,2940,2867,2969,2971,2972,2970],"class_list":["post-9952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation-news","tag-amazon","tag-animation-projects","tag-axis","tag-flaunt","tag-kiss-me-first","tag-lost-in-oz","tag-netflix"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - 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